Many of you may know about migrantography, my Tumblr for photographs of migrant life. The blog started with pictures that I took of multilingual signs in Los Angeles neighborhoods, some of which appeared on NPR’s Code Switch blog last year. I eventually began to expand the blog by reblogging other photos that featured migrants or migrant neighborhoods.1
I became interested in the visual culture of migration long ago. I grew up in the San Gabriel Valley in Southern California, a sprawling suburban area with many immigrants from Asia and Latin America. These populations speak a number of different languages, and the very different written forms of these languages are often juxtaposed on multilingual signs. For example, in the area of the Valley where I grew up, there were many ethnic Chinese who fled to the US during the conflicts in Indochina. Signs in businesses run by these populations were in Chinese and English, of course, but also often in Vietnamese, Khmer, Thai, or Spanish.
As a youngster with a strong curiosity about language and migration, I liked to look at these shop signs and guess about the owners and the clientele. Where were they from? How did they identify ethnically? Did the staff speak all of these languages? It was also interesting to see these signs in juxtaposition with one another, as the visual evidence says a lot about segregation by ethnic group, country of origin, and class. As you drive eastward on Valley Boulevard, one of the major commercial thoroughfares in the area, the composition of the signs changes. Starting in Alhambra, on the border with the Latino neighborhood of East Los Angeles, the signs are mostly in English and Spanish. Chinese gains prominence quickly in Alhambra and San Gabriel. Vietnamese comes back into the mix in Rosemead, Spanish in El Monte, and then the Asian languages largely disappear as the street continues into South El Monte and La Puente.
When I got my first smartphone in 2010, I joined Instagram and started documenting signs from immigrant businesses as I came across them. I am not a trained photographer–nearly all of my photos are taken with a dusty iPhone 4S camera and altered with funky filters as I see fit. For me, taking and sharing these photos is less about creating an artistic product and more about documenting the visual manifestations of ethnic economies.
As the subtitle to the blog indicates, migrantography is about migrant lives, and ethnic economies are just a small part of that. Many of the photos I reblog from other Tumblrs are portraits of individual migrants or candid photos of migrants going about their day. These photos illustrate a very different part of the migrant experience. Some of the best Tumblrs for these types of photographs include Everyday Aliens (about Bangladeshi migrants in New York), The People of Singapore, and Humans of New York (the likely inspiration for the former two).
I have not considered migrantography to be an academic or professional endeavor, but please let me know in the comments if you have some ideas about how to use the blog in a pedagogical setting. I’d also love to hear from you if you are already doing so. I know that a Tumblr for an Asian American Studies course already follows and reblogs from migrantography. If you have your own images to share, please send them my way using the Tumblr submission form.
1. Much of the content on Tumblr blogs is not original content, but rather content that has been “reblogged” from other Tumblr blogs. It would be unfair to say that I am the author of migrantography, given that my own photos comprise but a small percentage of the photos on the blog.